Orchestral foundation
A cinematic recorded score carries the harmonic architecture, giving the production symphonic breadth without requiring a full touring orchestra at every venue.
An original Zambian cultural performance
A choral-orchestral journey of river, rain, ceremony and home, uniting a recorded symphonic foundation with live voices, percussion, movement and cinematic projection.
Created by Michelle Rachel Steinberg
The vision
This new concert-theatre work listens to Zambia through its waterways, first rains, ceremonies, journeys and collective memory.
The production is designed as a meeting place between heritage and contemporary stagecraft. A recorded orchestral score provides scale and consistency, while Zambian singers, choir, percussionists and dancers bring each performance fully alive.
“A country remembers through rhythm, movement, story and the voices it chooses to carry forward.”
The stage language
A scalable format allows the work to travel while preserving the immediacy of live performance and the dignity of its cultural sources.
A cinematic recorded score carries the harmonic architecture, giving the production symphonic breadth without requiring a full touring orchestra at every venue.
Featured soloists and a resonant choir make every performance immediate, communal and unmistakably rooted in people rather than playback alone.
Live rhythm and choreographed movement animate river, work, rain, procession and home through a contemporary performance vocabulary.
Purpose-built film and imagery transform the venue into a living landscape, connecting intimate human stories with Zambia’s immense physical beauty.
The full production
A Preamble and thirteen connected movements carry the audience across land, rain, river, ceremony, family, leadership and living memory.
The recorded orchestral foundation is brought into the room by live soloists, choir, percussionists and dancers, with narration, lighting and cinematic projection binding the journey together.
The land awakens. A household begins its day beneath an open sky; a community calls for rain, receives it and plants toward tomorrow.
A spoken and visual invocation opens the performance in darkness. Low percussion, breath, river sound and emerging light invite the audience to listen before the first note rises.
An ancestral prologue introduces Zambia as a meeting of distinct peoples, landscapes, waterways and generations.
The homestead wakes in Southern Province: fire, field, family labour, children, cattle and the shared dignity of an ordinary day.
A restrained communal appeal gathers urgency around land, seasonal rain, thanksgiving and ancestral remembrance.
The sky answers. Tenor, full choir, percussion, moving fabric and projection build the monumental emotional summit of the first act.
After rain, the soil opens. Seed baskets, hoes, maize, sorghum and groundnuts turn renewal into work, food security and hope.
The journey widens into royal procession, harvest, women’s authority, marriage, mourning, migration and cross-border gathering before every voice returns for the finale.
A majestic restart inspired by the public world of Kuomboka: the Barotse floodplain, paddles, procession and the river carrying a people’s memory.
Rhythm, harvest and communal pride evoke the public first-fruits celebration of the Ngoni people and the renewal of responsibility.
A women-led movement honours lineage, leadership, counsel, farming and the public authority embodied by Zambia’s women custodians.
A contemporary Zambian wedding composite brings together lobola, elders, chitenge, food, laughter and the obligations of a new household.
The work reaches its quietest valley through farewell, mourning, relatives gathering and the passage from personal grief into living memory.
A migration journey draws on Bemba historical memory, river crossings and the endurance of identity carried across generations.
Roads converge in a Chewa-inspired cross-border gathering of homage, reports, gifts, dancing and shared cultural belonging.
The full company returns. Themes of rain, river, women, family, elders and migration become one final declaration: many rivers, many homes, one land that remembers. Zambia, rise.
The official playbill
The playbill introduces the artistic vision, cultural landscape and people behind the production. It is designed as both a guide for the audience and a lasting record of a shared Zambian cultural experience.
Its final programme pages will follow the completed artistic sequence, with space for performers, cultural advisers, production partners and founding sponsors.
Concept film
A first glimpse of the emotional scale, visual world and musical ambition of the performance. Turn up the sound and enter the journey.
A call to build
The founding season needs skilled collaborators who can match artistic ambition with respect, precision and care.
Tell us how you can contributeThe founding season
The first season is conceived as more than a concert run. It is a visible investment in Zambian talent, cultural storytelling, technical capability and international connection.
Partnership can take the form of cash sponsorship, venue support, technical equipment, hospitality, transport, communications, artist development or cross-cultural programming.
Discuss a partnershipFigures are preliminary planning estimates in US dollars and will be refined with confirmed venue, cast, technical and partnership quotations.
Cultural partnership
The work offers a generous platform for communities and institutions that have helped shape Zambia’s social, cultural and economic story.
Its founding outreach can honour the Indian community’s long contribution to Zambia while remaining adaptable for wider cultural collaboration, including Zambia-China, Zambia-Mozambique and other regional or international partnerships. Each partnership should deepen exchange without diluting Zambian authorship.
Contact us
Share your interest, capability or partnership idea. The founding production team welcomes serious conversations with artists, technicians, institutions, sponsors and cultural advocates.